June 2024 archive
A Pink Floyd film from 52 years ago has
a song
featuring a dog on vocals.
So if I put a spike in the top of the cone,
that'll stop them, right?
The cone did
not deter birds as intended.
 I
like birds and I didn't
mind them perching on my antenna (see yesterday's pic)
except that they were using it as a toilet.
To get them to hang out somewhere else,
I turned a cone from a piece of birch
that a friend gave me two years ago.
If my lathe ever broke, I think I'd have to get another one. Just substitute lathe for thickness planer in the quote from my dad that I blogged about a while back. |
Say's phoebe on
my ADS‑B antenna.
Gotta
love directions like this (from The People United Will Never Be Defeated!
by Frederic Rzewski).
I wish I had discovered Rzewski's music before he died. I would've liked to have thanked him for it.
I wish I had discovered Rzewski's music before he died. I would've liked to have thanked him for it.
The
Arizona cypress that started from seed
12 years ago
is now taller than I am.
A solid-body electric guitar isn't an acoustic guitar. Rather than using
a thin soundboard to move air, its tone comes from electromagnetic pickups
adjacent to ferrous strings, and then from whatever electronics and
speakers the signal goes through.
And yet you can feel the solid body of an electric guitar vibrate when you pluck a string. The materials in an electric guitar potentially affect the duration and character of the strings' vibrations. But by how much? Opinions vary (understatement). I don't know the answer.
Jim Lill, a guitarist from Nashville, experimented: he mounted the same guitar strings, bridge, nut, and tuners on different guitars, including one he cobbled together from a piece of 2×4 construction lumber. He even mounted strings on no guitar at all but rather across the space between two benches. He described what he found did affect tone significantly (e.g., pickup-to-string spacing) and what didn't (e.g., type of wood in the guitar's body).
One person's experiments don't settle a question but Mr. Lill showed
his work and anyone could make the same experiments if they wanted to.
My impression is that he tried to do fair tests.
His YouTube
video
showing his experiments has over 2 million views.
A year after Mr. Lill's video, another YouTube channel interviewed Paul Reed Smith, the founder of PRS Guitars. Mr. Smith believes that woods make a noticeable difference in the tone of solid‑body electric guitars. Some of his company's guitars feature expensive woods. An interviewer asked Mr. Smith if he'd seen Jim Lill's video (he had) and asked what he thought of it. Mr. Smith said,
Mr. Smith goes on to say that he is convinced that wood affects electric guitar tone significantly, so are various renowned guitarists, and that's that.
And yet you can feel the solid body of an electric guitar vibrate when you pluck a string. The materials in an electric guitar potentially affect the duration and character of the strings' vibrations. But by how much? Opinions vary (understatement). I don't know the answer.
Jim Lill, a guitarist from Nashville, experimented: he mounted the same guitar strings, bridge, nut, and tuners on different guitars, including one he cobbled together from a piece of 2×4 construction lumber. He even mounted strings on no guitar at all but rather across the space between two benches. He described what he found did affect tone significantly (e.g., pickup-to-string spacing) and what didn't (e.g., type of wood in the guitar's body).
One person's experiments don't settle a question but Mr. Lill showed
his work and anyone could make the same experiments if they wanted to.
My impression is that he tried to do fair tests.
His YouTube
video
showing his experiments has over 2 million views.
A year after Mr. Lill's video, another YouTube channel interviewed Paul Reed Smith, the founder of PRS Guitars. Mr. Smith believes that woods make a noticeable difference in the tone of solid‑body electric guitars. Some of his company's guitars feature expensive woods. An interviewer asked Mr. Smith if he'd seen Jim Lill's video (he had) and asked what he thought of it. Mr. Smith said,
I thought he was in the right garden at the beginning of the journey. I don't think he was at the end of the journey.The phrasing of that response is remarkable. It's expressed in metaphor and thereby avoids saying anything specific. It doesn't say what, if anything, was wrong with the design of Mr. Lill's experiments.
Mr. Smith goes on to say that he is convinced that wood affects electric guitar tone significantly, so are various renowned guitarists, and that's that.
Ravens this afternoon.
I never had anxiety about playing Frank's stuff. I learned early on that some of it was technically theoretically impossible on marimba and the only way to make it happen was to throw my hands at the lick and accept fate. That usually worked.
-Ed Mann (1954-2024)
He [Ed] could read anything Frank Zappa threw at him and I never once heard him make a mistake.If you have 10 seconds to spare, watch this lick Ed played in 1981.
-Chad Wackerman